https://medium.com/the-monthly/the-foo-fighters-aids-denialism-should-be-on-the-record-6e33666fdc3c

Not exactly. Also recently announced a child from cheating on his wife.

Elton John thinks weed should be illegal because he’s an addict and says it’s a gateway drug.

Tony Hawk!

Eh, they choose not to

Never letting Hans borrow my car after he used it as an instrument in an orchestral arrangement of Yankee Doodle Dandy

Yeah, if you've ever read Cloud Atlas, it makes me wonder if David Mitchell was friends with a former collaborator of Zimmer's (or if the industry is so rife with such problems), because the way Zimmer appears to operate and aggrandize himself sure does have a whiff of Vyvyan Ayrs...

So, compare this contemporary review, which makes it clear (including a quote from Zimmer himself!) that while Zimmer, Djawadi, and others contributed leitmotifs and notes, the majority of composition was Badelt's. Now consider Zimmer's website's description, which invariably paints himself as the main composer of nearly every track, even claiming the title of primary composer, and seems to erase the contributions of Badelt at every opportunity.

So, I take any claims of Zimmer's greatness with a giant salt lick. I originally read another source (which I now am unable to locate) that claimed the only thing Zimmer wrote for the DaVinci Code was the main theme motif, much like "He's a Pirate" for the first pirates movie. I now generally assume that anything excellent "composed" by Zimmer was some other collaborator's work, Zimmer offered a chord or two, then used his ill-gotten fame to bully the less-famous collaborators to accept the title of second fiddle while Zimmer mimes the Solo in the spotlight.