this post was submitted on 08 Apr 2024
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[–] [email protected] 3 points 7 months ago (1 children)

"I am not [well known character archetype]"

does literally everything possible to follow that archetype

^cough^ ^cough^ ^one^ ^piece^ ^cough^ ^cough^

[–] [email protected] 1 points 7 months ago (1 children)

Just startend one piece, what exactly do you mean?

[–] [email protected] 2 points 7 months ago (4 children)

"I'm not a hero, I don't want to be one, I want to be a pirate"

does practically everything a hero would do in every situation

queue morbillion comments about peak fiction writing.

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[–] [email protected] 60 points 7 months ago (7 children)

More than 17 apostrophes on the first page with every name of a person, place, or thing having one.

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[–] [email protected] 21 points 7 months ago (1 children)

Elves always being like the bottom rung of society or them being the outcasts. It's insane to think that elves wouldn't be the rulers of dam near any government or at the very least not be the power and influence behind a puppet government. Who wouldn't want the help of a race of people who, depending on the lore, can live for thousands of years.

I mean, there could be an elf that has been a friend of your family for like 5 or more generations. That sounds dope as fuck for us but kinda shitty for them.

[–] [email protected] 25 points 7 months ago (2 children)

I like what Tolkien did with the elves. They went from a warmongering bloodthirsty species to ancient and wise and they decided to gtfo and live on a secluded island out of reach from pretty much everyone.

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[–] [email protected] 18 points 7 months ago (1 children)

girls falling in love with the main character and wanting to stay with him for the rest of the story just because they have met random.

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[–] [email protected] 8 points 7 months ago (3 children)

Being forbidden doesn't make a relationship interesting. The Romeo and Juliet thing has been spun a million times, and every one of them is shit including the original.

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[–] [email protected] 22 points 7 months ago (3 children)

Women and girls usually end up in a relationship by the end of the story and/or are the ones needing to be rescued. Its formulaic, boring and sexist due to the comparative lack of the opposite occurring. eg. men needing to be rescued.

Like... even if you did not give a single shit about sexism, its the same tired plot points over and over again. It has Hallmark channel writer energy. Create a second plot I beg you.

[–] [email protected] 38 points 7 months ago* (last edited 7 months ago) (4 children)

I agree with you on principle, but i feel it has reached a point where the circumvention of the classic tropes has created a new and also very formulaic stereotype: the “empowering“ woman. Must be strong, butch, evidently better than men in something typically associated with men, and if by any chance she is permitted to be classically feminine she must either be a lesbian or emotionally fucked up somehow. Bonus points for leather jacket and shades.

It is probably the better trope but i find it similarly boring at this point. Very performative and often with little relevance to the story being told.

[–] [email protected] 10 points 7 months ago (2 children)

They also can't have any scars on their face that could make them less attractive. Hester shaw from the predator city books had her fucking nose cut off and the scar also took off some her her top lip yet in the fucking dog shit movie they made she looks like this

[–] [email protected] 11 points 7 months ago (1 children)

But that's not specific to women, a similar example is Tyrion Lannister in A Song of Ice and Fire https://metro.co.uk/wp-content/uploads/2016/06/mg_got_tyrion.png

That has to do with Hollywood wanting actors to look pretty and with costs of keeping effects realistic and cost efficient even on close ups.

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[–] [email protected] 35 points 7 months ago (2 children)

I absolutely hate the trope where they start out with something interesting and have to do a flashback to the parts that led up to it. Like I just had that happen with a sequel to a book I was reading, and I'm really struggling to get started. I fucking hate the

*cold open to something dramatic happening*

Record scritch "I bet you're wondering how I got here. Well, it all started...."

bullshit trope and its really hard for me to look past some times.

[–] [email protected] 86 points 7 months ago (11 children)

So far I’ve discovered in this thread:

-People don’t like traditional fantasy that takes itself seriously.
-People don’t like lighthearted fantasy that plays with the themes.
-People don’t like hard magical systems.
-People don’t like soft magical systems.
-People don’t like dragons being involved.
-People don’t like an absence of dragons.
-People don’t like character archetypes.
-People don’t like counterarchetypes.
-People don’t like when characters speak an understandable language.
-People don’t like characters meeting each other in common social meeting areas.

All good here? Great.

Just write whatever the fuck you want. There’s always an audience.

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[–] [email protected] 6 points 7 months ago (1 children)

Not necessarily a writing trope, but a casting trope in fantasy TV/film that always annoyed me: British accent = fantasy accent. It's not so bad these days, but a lot of 2000s-era fantasy would just have all the actors speak in awfully fake British accents.

[–] [email protected] 4 points 7 months ago (1 children)

Also, not to mention the more poor and stupid people get, the less posh the accent gets. That's a very classest thing that I'm sick of.

[–] [email protected] 7 points 7 months ago (1 children)

That is kind of accurate though if you're basing the story on history. Like if it's Robin Hood or King Arthur then the nobles will sound posh and the peasants won't.

Less of an excuse for it in high fantasy; I guess it's a quick way to telegraph to the audience who's who, but you're definitely right that it reinforces traditional class stereotypes.

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[–] [email protected] 3 points 7 months ago

For one thing, too many works of fiction involve a romance. I don't judge the romances itself, I would never get between even multiple people in love when on a screen, but these things don't always have to be in the boundaries of the story. Even works like DC Comics which promote themselves on a realism basis give romances out like a token. Which is why the ending to Battleship saved that movie in my eyes.

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