this post was submitted on 09 May 2024
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When Bloomberg reported that Spotify would be upping the cost of its premium subscription from $9.99 to $10.99, and including 15 hours of audiobooks per month in the U.S., the change sounded like a win for songwriters and publishers. Higher subscription prices typically equate to a bump in U.S. mechanical royalties — but not this time.

By adding audiobooks into Spotify’s premium tier, the streaming service now claims it qualifies to pay a discounted “bundle” rate to songwriters for premium streams, given Spotify now has to pay licensing for both books and music from the same price tag — which will only be a dollar higher than when music was the only premium offering. Additionally, Spotify will reclassify its duo and family subscription plans as bundles as well.

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[–] doodledup@lemmy.world 2 points 10 months ago

Although it's far from the best, Deezer has a much fairer royalties compensation method, which is more closely based on a per-user basis, rather than total amount of minutes listened (that Spotify currently employs).

This isn't super related to OPs post but I thought it might be worth mentioning aswell.

I've been using Deezer for a while now. Not only is the streaming quality (FLAC) much better but also the artist compensation much fairer. Plus, they at least act as if they actually cared for the customer...

[–] aesthelete@lemmy.world 14 points 11 months ago

They suck ass. Stop paying them money.

[–] ZeroTwo@lemmy.world 4 points 11 months ago (1 children)

Thank God for a certain manager. Haven't paid for Spotify in years. Fuck em.

[–] barnaclebutt@lemmy.world 4 points 11 months ago (2 children)

Ugh, that's disgusting. Which manager so I know to stay away from it?

[–] ZeroTwo@lemmy.world 1 points 11 months ago

X gon give it to ya! 😉

[–] MilitantAtheist@lemmy.world 22 points 11 months ago (2 children)

I love how no one mentions that the great success business Spotify got all their starting music from the mp3 warez scene.

Early Spotify songs still had the meta data from those files, including misspelled song names and years of issue.

[–] Sanguine_Sasquatch@lemmy.world 2 points 11 months ago

I would imagine that the vast majority of Spotify's listeners, and even critics, don't care about where they got their initial music from

[–] anon_8675309@lemmy.world 4 points 11 months ago

Because don’t most people know their history by now?

[–] jjjalljs@ttrpg.network 33 points 11 months ago (1 children)

I already commented somewhere else in this thread, but I've been just buying music via bandcamp and I feel pretty good about it. If I buy about one new album a month for $8, it's cheaper than spotify and after a couple years I have a large library of music I own outright.

This works with my listening habits, which are something like "I have like one new (-to me) album on heavy rotation every couple of weeks". Someone who's more of a "i never listen to the same song twice" extreme wouldn't have as good a time.

[–] RGB3x3@lemmy.world 9 points 11 months ago

This works with my listening habits, which are something like "I have like one new (-to me) album on heavy rotation every couple of weeks"

I actually kinda do the same thing, so you've got me thinking I should start just buying albums. Build a Jellyfin server so I can still stream music, and just not deal with subscriptions.

And actually, most of the time I buy records that come with digital downloads anyway. Time to rethink my Tidal subscription.

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