this post was submitted on 07 Feb 2024
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[–] [email protected] 3 points 9 months ago* (last edited 9 months ago) (1 children)

It’s almost like racists are only ever going to whine about inclusivity, and “characters remaining their own race” vs “creating new characters” is a moot point because the people out there who are upset by the former are going to be upset by the latter anyway.

Uhm, no?

Have you seen the reception to both Spiderverse movies? It was overwhelmingly positive. I’d say they were probably the most universally liked Marvel movies of the decade. You would really compare that to the reception the new Little Mermaid or Ghostbusters got and say “yeah, the same amount of people got upset by both things”?

It’s nowhere nearly close. Obviously, it’s also because the spiderverse movies are written much better, but that’s also a symptom of better writers being hired for better projects. The fact that raceswapping a character and writing an entirely different one are received the same way is just plain false. Not to mention, even better, just making new movies with black characters altogether. But those two things require considerably more effort than taking an old, already liked movie’s script and copy-pasting it with a random character of a different race. And Hollywood doesn’t like effort, they just like money and free advertising.

[–] [email protected] 2 points 9 months ago* (last edited 9 months ago) (1 children)

You obviously didn't hear all the people complaining about Miles in the Spider-Man game, which is what I was referring to.

Have you considered that the racists in question just didn't go see the Miles Morales movies? Also, the fact that they are independently good movies has to do with the turnout. The little mermaid remake and the Ghostbusters new movie weren't exactly masterpieces. Saying that the spiderverse movies succeeded where they didn't is wholly attributed to the metric of creating new characters vs race swapping others is just wrong. The fact is that those movies were lazy, and that was the reason they failed.

[–] [email protected] 2 points 9 months ago (1 children)

The fact is that those movies were lazy, and that was the reason they failed.

I addressed that before, in a sense. Imo, the raceswap is part of the laziness. And yes, the reason they failed is because they were lazy, but if they weren't lazy they wouldn't have been just bland raceswaps. That's what I think about it, at least.

And honestly no, I didn't hear complaining about the game, but I admittedly read very little about it online. My friends liked it a lot and that's all I know. Complaining about that seems even dumber to me though: the franchise just got a very popular movie with a new main character, why wouldn't you put him in the game too? I don't think the complaints could've been that many, at least not at the level of those two above (or pretty much any disney remake).

[–] [email protected] 1 points 9 months ago (1 children)

And yes, the reason they failed is because they were lazy, but if they weren't lazy they wouldn't have been just bland raceswaps.

You're confounding two variables, though, so this example is incapable of proving anything. Is this the result of half A and B? Just A? Just B? It's not possible to know.

Further, even if it was true, that audiences just can't handle black Ariel, I don't think that means there isn't a problem. If we're not allowed to race swap characters, then that means we can't really hire black actors. "We can just write new characters"? Yeah, we can do that. But you're basically saying that the last 80 years of shared, televised cultural history, even past all of the racial segregation of the 50s, the 60s, and on, is just inaccessible to the "other kinds." Like, is a black woman not allowed to write a Cinderella?

I don't think the complaints could've been that many,

Last thing: You should go looking for these people more often. Not so you can be like them, just to see them. I used to think that we lived in a post-racism world years and years ago. You don't really get a sense of how the public behaves until you survey them. It's good for you, though; know thy enemy.

[–] [email protected] 1 points 9 months ago (1 children)

But you’re basically saying that the last 80 years of shared, televised cultural history, even past all of the racial segregation of the 50s, the 60s, and on, is just inaccessible to the “other kinds.” Like, is a black woman not allowed to write a Cinderella?

Not that much of a problem, imo, even if it was inaccessible to everyone. Do we really need to keep rehashing the same stuff over and over? I can understand stuff like War of the Worlds where the first movie wasn’t really appreciated, but if we already have a Cinderella movie people appreciate, can’t we just… leave it alone? A lot of unnecessary remakes got hate even without raceswaps, that’s not the only issue. Remakes of bad stuff, on the other hand, are easier to “change up” because fewer people are attached to the original, and if it’s based on literature usually race isn’t specified at all.

Last thing: You should go looking for these people more often. Not so you can be like them, just to see them.

Oh I know that they exist. But quantifying them is pretty much impossible. We know there’s a lot of racists around, but it’s hard to say how many of those are actual Spiderman fans who got upset by the sequel game. The complainers might be bad actors, or a loud but really small minority… the internet is full of echo chambers, it’s hard to get an actual grasp on people’s opinions.

[–] [email protected] 1 points 9 months ago

Do we really need to keep rehashing the same stuff over and over?

Okay, but you realize this is a different argument. Remakes are being made, so it's weird to cut certain people out of it.

I have a laundry list of problems with the Disney live-action remakes, but the fact that Halle Bailey is in some doesn't count for one.

The fact that these remakes often completely misunderstand the story they're supposed to be telling counts for like 5.