Dennis Villeneuve is currently untouchable in the same way that Christoper Nolan was a few years ago. For whatever reason I meshed with Nolan's work at the time but I have been completely disenchanted by Villeneuve since Blade Runner.
this post was submitted on 14 Dec 2023
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Ryan Reynolds finest role in film was Van Wilder. Deadpool is basically Van Wilder in a costume.
Ryan Reynolds has one character that he plays in all of his movies. It is a character I enjoy seeing, but it is the same character over and over.
Batman Begins and Dark Knight Rises were boring. Batman & Robin was better than those two.
Silence of the Lambs is not a scary film.
I would call it a suspense thriller, not a horror film.
Crash? More like Trash.
Also, Avatar fucking blows.
The critic rating is better than the audience rating. I’ve never seen a film with a high critic rating that didn’t have something worthwhile about it. But I’ve seen a lot of audience hits that were garbage.
it's actually spelled film
If Pulp Fiction is on, unless it's been a few years I'll probably switch the channel, if Django Unchained is on though...I'm grabbing a snack and watching it everytime. This isn't to say Pulp Fiction sucks, just think Django's more entertaining.
I could never enjoy Django. It's not a bad movie, but the way I watch a Tarantino movie you get desensitized by the violence and it becomes part of the humor and charm. I couldn't do that in Django. The theme was too serious for me. Curiously I didn't feel the same way in Inglorious Basterds.
Oh, and let's get this out of the way. I fucking LOVED the Hateful Eight. It's pure Tarantino.
Last year's DnD movie is the best film of the last ten or so years. It succeeded on every level, except in the box office.
My hypothesis is that Hasbro insisted on branding it "Dungeons & Dragons" to push the brand, and non-gamers figured it wasn't for them. If they'd have made the main title "Honor among Thieves", all the game nerds would have seen the DnD logo, and others wouldn't have been turned off *. As it stands, people will find it and it'll become the new "Starship Troopers" that bombed but shines forever in retrospect.
* See "Arcane".
I think it deserved to do better at the box office but I disagree calling it that good, primarily by counterexample (which I'll get to). It had an entertaining cast, an entertaining plot and some good twists but it wasn't unpredictable and the audience it was best for was the audience who recognised the constant homages to the experience of playing DnD - my primary example is the scene of the main character breaking out of prison completely unnecessarily.
The movie was made by Hasbro to sell dungeons and dragons (which, to be fair, you do mention) and I think as a fan of the ttrpg it did a great job of capturing that experience as a movie. I can't call it the film of the year though, let alone the decade.
What makes you say it's better than, for example, Blade Runner 2049 or Avengers Endgame, both being movies similarly sprouting from established brands? I would argue Dune is significantly better (talking about movies with a brand) also.
Outside the established brand space, you see movies like JoJo Rabbit, Marriage Story and Power of the Dog. All of my examples have been off arbitrary top 10/top 50 lists of the last 5 or last 10 years and I'm honestly curious about why you think the DnD movie beats all of them?
Edit: in saying that, upvoting because this is almost certainly an unpopular opinion
Bladerunner was pretentious film school drivel. It's a montage of poetic, symbolic imagery that makes no sense as an actual narrative. Dune was far, far superior because the mythic reality is tied together into a classic hero story, and the whole thing is fantastical enough for Villaneuve's whole thing to work. I can't wait for the second one.
Avengers Endgame was just more of the same MCU formula, trotting out the usual tropes on an ever-increasing scale. Pretty good, as far as all that goes, but really devoid of any tension or depth, IMHO. Guardians 1 is a far better film.
As for those others, I haven't seen them, though they're all on my list. I'm open to any of them being better... of course my opinion will be limited to movies I've actually seen. But aside from glib hot takes, there's not much meaning in comparing completely different films. My essential point is that DnD is an utterly superb movie, and I'll maintain that in its freshness, surprising depth, and comedic sparkle, it's at least the best movie of its kind in a long time.
I only watched DnD recently, mostly just accidentally at a friend's place. Also thought it was really good, well made, funny, a really pleasant surprise all around. For me, it reminded me of what I felt about some 90s movies - a movie made to be fun, not to make you feel deep feels, think deep thoughts, or shock in the shockingest way of all. Just fun. That is not a bad thing...
The Exorcist (original) is one of the most boring horror movies I've ever personally sat through and I have no earthly idea why it caused such a stir at the time. Whole movie is a snooze fest until the last bit, but I found it less scary and more humorous.
Titanic is not a good movie.
Titanic would have been a better movie if they had cast someone other than Leo DiCaprio.
I don't like the guy that much either, for whatever that may mather.
I love the first Dune book, and I love the goofy 80's Dune movie, which was pretty close to the book in terms of getting a lot of the internal dialog in place. But I hated the new Dune movie. I didn't like how sterile and empty they made the palace, or the weird anus mouth design of the sand worms. Or the silly use of balloons to help lift harvesters. I very much didn't like how they made Lady Jessica an emotional mess, instead of being in control of her outward emotions, as she was trained to do.
They also screwed up the personal defense shields REAL BAD. The idea that the shields react to kinetic energy, so a fast moving project from a firearm would get stopped, but a slow moving blade would pass through. The fight near the end had people being killed by fast sword strikes by hitting the shields, it was just so jarring and lazy. They also completely misrepresented who and what the Sardukar are. Based on how many people loved the movie, I have an unpopular opinion. Though I found that most people who absolutely loved the movie hadn't seen the original movie, or read the first book, so they didn't know anything to color their impression.
The 80s Dune movie has a stellar cast and amazing art direction.
Napoleon Dynamite is garbage.
This thread is for opinions backed with some sort of justification. Your opinion as stated belongs as a one-star review on IMDb.
Santa Claus Conquers the Martians is a cyberpunk movie.
Mars is a dystopian, broken society in which cyberware is so ubiquitous that we only ever see one Martian without visible augmentation. Every character in the movie does what they do for purely selfish reasons, with the exception of the idiot Droppo, the old man Chochem who remembers society for what it was before it went to hell, and the mythological embodiment of generosity himself. When Chochem suggests that Mars needs a Santa Claus, the immediate response isn't to research and emulate St. Nick, nope. Martian society is so degenerate that the first idea is to commit a crime: to kidnap the jolly old elf. And all of Earth's governments are incapable of stopping them.
Cyberware, broken society, selfish characters, rampant crime, laughably inadequate government? What genre does that sound like?
When I pointed out that Santa Claus Conquers the Martians predates Blade Runner, the film that most people consider to be the first cyberpunk movie, by some 18 years, at a tabletop session of Cyberpunk 2020, I was less than popular with those assembled.
I decided to not press my luck by pointing out that it came out 4 years before the book Do Androids Dream of Electric Sheep.
Hooray for Santy Claus.
Cloud Atlas was good if you paid attention, didn't notice the face cgi in theaters.
I was under the impression that this thread was for unpopular opinions... 😐
I thought people thought it was a philosophical masterpiece. And I thought it was garbage. I understood fuckall. And I was watching it at my peak time during the day on the appropriate amount of caffeine to stimulate my brain. Nothing.
I may be dumb. Maybe. But I didn't understand shit, that's for sure.
There's a fan recut that takes all the time skip scenes and puts them in chronological order that's much more straightforward. Personally I can't imagine watching it that way, but I also refuse to acknowledge The Melancholy of Haruhi Suzumiya except in broadcast order. There's definitely a large contingent that prefer both these media in chronological order though, so you're not alone.
I think you've replied to the wrong comment, mate.
Funnily enough, I have spoken about Haruhi quite a bit 😂.
My comment was referring to Cloud Atlas while comparing it to Haruhi as another piece of media with dramatic (and controversial) time skips.
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