this post was submitted on 06 Mar 2025
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Showerthoughts

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A lot of people point out that it doesn't make any sense that Harry and Ron didn't like their schoolwork. Well I figured out why:

It's because the magic system is just as boring in-universe as out of universe. It doesn't make any sense in universe either. Harry and Ron realised Rowling's magic system kinda stinks way before we did, because they spent all day learning it.

If Sanderson had been writing Harry Potter, then Harry and Ron would have liked learning magic as much as Hermione did (Also, Sanderson actually DID write a book about a super-school, it's called Skyward, it's good)

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[–] [email protected] 12 points 1 week ago* (last edited 1 week ago)

It's literally just memorizing bad latin, of course they were bored. There was no spiritual aspect to it at all

Edit: And don't think I forgot the time JK Rowling assumed a word meant "Friendly to thieves" because it was of African Origin when it actually meant "The Color Red in a spiritual context.", racist assclown

[–] [email protected] 35 points 1 week ago (8 children)

Stories don’t have to have “hard” magic systems to be good. I’m a big fan of the magical realism popular in Latin American fiction - where the magic is ambiguous and never quite explained at all.

The problem is the way that Rowling uses magic.

Rowling was clearly writing mystery novels, while lifting a lot of ideas for her setting from like The Worst Witch series. She uses magic spells like a Checkhov’s gun kind of thing, usually establishing whatever magical principle will save the day earlier in the novel. With a relatively self contained story, it works really well. Prisoner of Azkaban is one of her stronger books - the way that she sets up the mystery with the time turner as well as the stuff with Sirius Black, etc - because it’s very “clean” in this way. She introduces a bunch of new elements to her world, but they are all tied around supporting her story. This is good writing.

The problem is that Harry Potter books don’t work as an overarching story. It is abundantly clear that the Horcruxes and Deathly Hallows were not planned from the beginning. Rowling got to the last two books, realized that she needed to write some kind of ending, and then completely drove her plot off the rails.

You could say because she didn’t have an established magic system, it made it easier to drive off the rails, but really, it’s more that she’s competent at writing stand alone mystery novels (which really, that’s what books 1-4 are and they’re the best in the series for it) and not larger narratives. She doesn’t know how to convey the scope of a war, she doesn’t know how to tie together an Epic fantasy.

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[–] [email protected] 20 points 1 week ago (10 children)

There's nothing wrong with the magic system because there's always a reasonable setup and payoff for what can be done with magic and solutions never come out of nowhere as some deus ex machina. The magic system the stories had worked perfectly fine for the stories that were being told. Not every magic system has to be some stupid overly explained BS that takes all of the actual wonder and "magic" out of it.

Rowling is a piece of shit terf but you Sanderson cultists are still so fucking annoying. There's more to magic in storytelling than just the exact, specific mechanics of how it works. Read Earthsea.

[–] [email protected] 13 points 1 week ago (4 children)

I'm sorry, no Deus ex machina? Am I misremembering the bit where suddenly two wizards casting a spell at each other at the same time for a prolonged duration reverses cause and effect and makes dead people come back as ghosts to give the protagonist advice?

I can agree that stories don't need a "good" magic system, but I also feel like HP has glaring holes in places that negatively affect the experience. It's still a fun story, but I definitely think it could be better if the magic made more sense.

[–] [email protected] 4 points 1 week ago (1 children)

One of the two wizards WAS the protagonist, so you might as well call this a near death experience or something. Might literally have all been in his head. I don't think this is a good example.

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[–] [email protected] 2 points 1 week ago

It's a shit story, just not because of a 'bad'/soft magic system.

[–] [email protected] 2 points 1 week ago (5 children)

Pretty sure the reasoning behind that was given in book 1.

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[–] [email protected] 5 points 1 week ago (1 children)

Expecto patronum, et voila, deus ex machina.

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[–] [email protected] 2 points 1 week ago (1 children)

I mean, it isnt quite juvenile fiction, but it's a series of books about kids. Having the magic system being simple makes sense.

[–] [email protected] 2 points 1 week ago (1 children)

Harry Potter's magic system isn't simple.

[–] [email protected] -2 points 1 week ago

Agree to disagree.

[–] [email protected] 6 points 1 week ago (1 children)
[–] [email protected] 8 points 1 week ago (1 children)

Brandon. Look up Mistborn. Steelheart and The Stormlight Archives are good too.

[–] [email protected] 3 points 1 week ago (2 children)
[–] [email protected] 1 points 1 week ago* (last edited 1 week ago)

person of few words

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[–] [email protected] 41 points 1 week ago* (last edited 1 week ago) (4 children)

This is the one thing I really appreciated about the Discworld books on a recent re-read. The wizards are hilariously incapable of doing anything useful. Terry Pratchett doesn't give a super clear series of rules for the magic system but it's abundantly clear that the wizards are incapable of actually useful magic, and mostly just get too tired up in internal power struggles to ever do anything. And in the book Sourcery, the first sourcerer (one who can create new spells) to grace the disc takes over the world, realizes running the entire world is too stressful and tedious then creates his own pocket dimension to play with magic in instead (I'm oversimplifiing here, skipping over a bunch of interpersonal stuff related to a sentient wizard's staff run by a dead guy who tricked Death among other details but that's the general gist)

By making the wizards so useless it bypasses any of the logical problems posed by creating a world with magic in it. There's no "why no use this spell" "why not magic out of this problem" etc. all because the wizards are too useless to actually do anything

[–] [email protected] 3 points 1 week ago (1 children)

I don’t know about that. They literally introduced time travel and then never bring it up again except for one sentence where “oh they all broke”.

Like don’t get me wrong it’s not horrible but it’s also not great. It is good enough for a kids story which is what it is, not something to build your life off of

[–] [email protected] 5 points 1 week ago (1 children)

I think you might have responded to the wrong comment?

[–] [email protected] 2 points 1 week ago

Yup looks like it. Stupid app lol

[–] [email protected] 7 points 1 week ago* (last edited 1 week ago)

Rincewind isn't useless at most things, he's only useless at magic.

Esk is actually able to use magic to solve problems, because she's a precocious child and also female.

[–] [email protected] 14 points 1 week ago (1 children)

One of the big ideas about magic in his universe isn’t just that the wizards are useless but that using magic is more trouble then it’s worth. It creates all sorts of left over magic residue that can build up to a myriad of effects.

We see the wizards preform powerful spells, showing that they can do have power and do have a certain degree of knowledge, but rather choose not to.

The duty of the wizards is more to make sure no one preforming magic willy nilly and to prevent people from making sorcerers.

[–] [email protected] 3 points 1 week ago

You're right! I finished Sourcery like 6 months ago and have read a bunch of other books since then so my memory was kinda foggy. But that's exactly it, the magic exists and can be powerful but it's simply more trouble than it's worth

[–] [email protected] 19 points 1 week ago

The wizards series of the discworld books are by far my favourite, but for exactly the reason you've set out. (Similarly with the witches)

The dialogue between the faculty is so believable and so stupifyingly inane and political that it's hard to say that anything is more probable.

Anyone actually interested in how magic works gets ignored and all that really matters is where the next good meal is coming from.

Just one of the countless reasons that Terry pratchett is a gem of an author.

[–] [email protected] 19 points 1 week ago (1 children)

My issue is honestly just the inconsistency of when spells would work or wouldn't. That and the fact that many dangerous situations could have been ended immediately if they used a spell they knew. I watched the movies and was yelling at the screen to use a certain spell to solve the situation but they just run away scared and helpless.

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[–] [email protected] 24 points 1 week ago (3 children)

Maybe you would like that fan fiction Harry Potter and the Methods of Rationality. A large part of it is poking fun at how magic works and how wizards behave and how dumb Quidditch is.

For example there are all kinds of rules about Transfiguration that don’t make sense and that is explored quite a bit.

https://hpmor.com/

[–] [email protected] 5 points 1 week ago* (last edited 1 week ago)

I do love how it feels very much like a parody but turns into an honestly straight up good story on its own

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[–] [email protected] 3 points 1 week ago

Even AHS Coven had more interesting magic than Hairy Pooper

[–] [email protected] 4 points 1 week ago* (last edited 1 week ago) (1 children)

I like how Patrick Rothfuss wrote about "magic" in his Kingkiller Chronicle... I think it was explicitly called something else (been years since I read the books), but it was pretty fucking cool.

It was like daoist in nature almost, if I remember correctly.

[–] [email protected] 6 points 1 week ago* (last edited 1 week ago) (1 children)

That guy had at least three magic systems going at once. It was a lot.

There was sympathy, which was kind of like voodoo dolls and also sometimes casting from hit points? Sygildry or something which was programming with magic runes. And Naming, which I believe was like grokking something so well you could just command it to do whatever.

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[–] [email protected] 28 points 1 week ago* (last edited 1 week ago) (2 children)

I love Brandon Sanderson, but his world building and complex magic systems aren't for most people. I've tried to get my wife to read his stuff for years and she just has never gotten into it.

The reason Harry Potter was so commercially successful is because the vast majority of the public doesn't want to learn about allomantic properties of 16 different metals and how they have internal/external, physical/mental, enhancement/temporal and pushing/pulling effects.

They don't want to learn about adhesion, gravitation, division, abrasion, progression, illumination, transformation, cohesion, and tension surges - and how bonding a spren through oathes increases your ability to surgebind. Their eyes glaze over when talking about the cognitive and physical realms.

Most people just want to hear "yeah some people are magic and can wave wands, say some magic words and poof magic happens." That's why it's one of the highest-grossing media franchises of all time.

But yeah, I've just learned to accept that while I love some Sanderson magic systems, it's not ever gonna be for everyone. And that's ok.

[–] [email protected] -4 points 1 week ago (1 children)

Well, the needs of a fiction reader and the needs of a character in the world are different. Harry actually needed to learn magic. And there's no logic to it, so all he could do was rote memorisation. He would have been happier with a magic system that makes sense.

Hermione is supposed to be a genius nerd, and yet she does far less in 7 books to actually study her magic system, than Vin has done by the start of the second book. Vin isn't a nerd or a genius, she's just a capable hero living in a world where magic makes sense, so she's better at studying than Hermione. Hermione gets 8 hours to do it a day for 6 years and still can't compete with Vin.

[–] [email protected] 14 points 1 week ago

What is this post even? One of the main plot points of one of the books was about how the students are so engaged that they made an underground secret class to study and learn.

Harry literally stays up all night studying his books during summer break in the earlier years, the book describes how it's all he can think about. (before schooling became a lower priority due to the active war).

There are always going to be boring classes, and the book describes that even Hermione is bored in some of them, but typically the students are always engaged, it's clear that Hermione is a hard worker with doctor parents that expect a lot from her, not that she is some hyper genius.

Harry is a rich jock and a literal child, he is the common trope of the school athlete that slacks in classes occasionally and likes trouble making.

I think it's very clear that the students were generally engaged in engaging classes with good teachers (hagrids classes, PE / flying, defense against the dark arts, the gardening class with the screaming plants), disengaged in classes that would have equivalent perceptions of boringness (history of magic).

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[–] [email protected] 16 points 1 week ago

Just like all the worst real-world school subjects, her magic system isn’t something with a logic you can learn to understand, it’s something arbitrary you have to memorize. These poor kids are out here taking the equivalent of anatomy classes all day (why is that bone called the tibia? Don’t worry about it, just memorize it).

[–] [email protected] 20 points 1 week ago (1 children)

NECROMANCY!?

I'm a member of the College of Winterhold, In good stead.

[–] [email protected] 4 points 1 week ago (1 children)

No, not necromancy, we like to call it post mortem communication

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