this post was submitted on 07 Jul 2025
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So good. Bleak as fuck, but good, and good in a lot of the same ways.
As an example, watch the whole movie, then rewatch and pay attention to that sex scene-it's so literarily good.
Edit: about the sex scene? Really? Where the protagonist
Tap for so much spoiler
After being retired from the police (and having his termination delayed by a day as a personal favor from his 'obviously more of a machine than the replicant protagonist' boss) he hires a sex worker to fuck while his hologram girlfriend projects herself over.Except the sex worker is working for the replicant underground/resistance. She wants to use him (is there to plant a bug) and does not give a single shit about him as a person. The plastic mass produced girlfriend-product/alexa that he literally bought is projected glitchily over her, and the dialogue is portentous as fuck "quiet now. Ive been inside you. Not so much there as you think."
It's him symbolically heartbreakingly-bleakly fucking his way from the synthetic world-which doesnt care about him but will lie to him for a price and allow him to play house-to the real world, which doesnt give a single fucking shit about him, and may try to kill him, but would be real, if he stopped projecting his delusions onto it. And it hapoens just as he's defying his corporate masters and taking his investigation in directions he's not supposed to, becoming his own, and doing so based on a delusionally hopeful interpretation of some evidence-the fake projected onto the real, pulling him into reality. It's up there with 'tears in rain'.
Edit: Also really good illustrated example of why you shouldn't call LLM's 'AI', even if that wasn't a problem when this was made-the protagonist, the sex worker, and the hologram were all made by the same company, but the first two are obviously people, and the hologram is just an emotional support chatbot that only even kind of means anything when the entire rest of your life is just as fake-ass bullshit as it.