Sandra

joined 8 months ago
 

I'm looking for monster lists for Journeys through the Radiant Citadel.

Like, for each of the planes in there, here's a list of appropriate monsters. It's OK if they're fan made. It's not always clear to me exactly which real-world–culture is the basis of which plane (maybe that's in the book or maybe it's supposed to be vague), but that's fine, I think these settings look awesome, but one of the main thing missing to easily expand them are encounter tables, which I could throw together if I knew like "OK, on such-and-such plane there are owlbears and stirges" or something like that.

@[email protected]

[–] [email protected] 0 points 5 months ago
[–] [email protected] 0 points 5 months ago

Democracy Now are being lauded in the video in case you missed that 🤷🏻‍♀️

[–] [email protected] 0 points 5 months ago

I like Chris Hayes' take as clipped in this video 43 minutes in:

The way that so many prominent voices have focused so exclusively on colleges feels honestly a bit decadent to me. Like we're doing a paper doll version of conflict because the actual reality of what's happening in Gaza is so horrific, unceasing, and high-stakes, it's more enjoyable to argue about what college kids are doing than to confront the human misery and destruction that's happening in the actual conflict that is, of course, the source of these protests. What seems to be most worth debating isn't campus speech but whether the US government should contine to fund and support an Israeli war in Gaza that has pushed more than a million people to the brink of famine. A war that has damaged half of the buildings in Gaza. A war that has failed to bring home most of the hostages held by Hamas, that has in fact lead to the death of some those hostages.

This is a good video, thanks.
I'm not all onboard with the conclusions: "YouTube & TikTok good" (I believe they're overall bad. Fund Peertube.) and "Socialist sentiment is growing" (I believe the overton window has been slipping & skipping to the right for decades now.)

 

SmplTrek note off timing?

Is there a way to set the default note off timing? (What some other sequencers call Gate Length.) Either as a device-wide setting, or for a project, for a track, for a scene or just for a clip. As it is I can only do it note-by-note.

All notes are half the length I'd want, and I have to go into them manually and crank up each one separately from 50% to 99%. I would love the sequencer if it weren't for this.

I have a workaround which is to import SMF's from any other seqencer (such as abc2midi on Linux or Atom 2 on iPad) and that works fine, using the SmplTrek more as an arranger/player than a sequencer, but since the SmplTrek step sequencer is so nice it'd be great to be able to use it directly instead.

(And another workaround is to get good and turn off quantization, that also works.)

Don't worry, I'm definitively keeping mine (as a drum machine, looper, and global tracks recorder, and as an audio interface) but I'm just a li'l frustrated with this one issue.

I know that I can make notes longer by pressing right arrow or turning the value know; I can make two eight notes followed by a quarter note for example.

But those notes will all be "staccato" since they've got a 50% gate length.

That's not always what I want especially for a midi or organ type track.

Here is an example. One track playing three notes twice, same instrument. Two fourth notes followed by a halfnote (and the halfnote sequenced by using the right arrow while holding the pad).

This is how the track looks

The first three notes are played staccato (e.g. "Note off timing" 50%, a.k.a. gate length as some other synths call it). The last three notes are played more fully, with note off timing manually set to 99% for each of the three notes.

Here is how the track sounds, first the staccato notes followed by the normal notes.

Many other sequencers, to get that staccato sound you'd set grid length to 1/4 but note length to 1/8. But on SmplTrek, it's one setting, called note length, and setting that to 1/4 as I did here results in notes with a shortened, only 50% duration.

Messing with the envelope release is no good for MIDI tracks.

So far my best workaround is to import SMF files that I've made with some other sequencer app and that's a shame since I'm so much faster and more creative with the SmplTrek's sequencer, but I just don't always want that staccato sound.

I don't wanna make a Facebook account just to post in the SmplTrek group on there. 😰

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[–] [email protected] 0 points 6 months ago

It's so weird that they didn't do this when they introduced the Primaris. Perfect in-universe opportunity.

But the Stormcast Eternals fixed it so 🤷🏻‍♀️

[–] [email protected] 0 points 6 months ago

This is great, makes me happy to hear!

@flumph @dnd

[–] [email protected] 0 points 7 months ago

I think this is spot on and I overall dislike the game. One thing that I am a li'l bit interested in is the hitpoints system which seems like a good mix of Fate stressboxes with D&D damage.

The amount of incoming damage can go to certain thresholds and that has different consequences (both symbol-layer mechanical and diegetic). I think that's neat and I'm glad to see that experiment carried further.

How much gold is in that hoard?

Wow, I had missed that. That's not good. I mean, CR gets criticized for their "shopping episodes" (even though my own group is even more extreme in that regard) so maybe that's to address that? Diaspora, for example, just has a "recourses" roll instead of detailed accounting of space credits, and it seems to work well in the context of that game.

How far does that bandit run?

I don't think that's a fair characterization; range bands is trued and tested tech. Cartesian spatialization is overkill for most game groups.

@[email protected] @[email protected]

[–] [email protected] 0 points 11 months ago

@RoseTintedGlasses, please delete the "?si=DA_SvGPsJtNS1lFD" part of the links 🙏🏻

@BreadTube