this post was submitted on 27 May 2024
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Matte paintings were used before the dawn of competent computer graphics to simulate a larger/more dramatic/exotic location than can be achieved in a film studio. Paint was directly applied to glass, which then sat between the camera and the actors (leaving a clear section to capture them).

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[–] [email protected] 0 points 5 months ago

This one is closer to '81 or '82, for Return Of The Jedi.

[–] [email protected] 0 points 5 months ago

AFAIK mattes are still A Thing in filmmaking, but they're obviously not done with actual paint on glass.

The best use of CGI is when audiences are wrong about which parts are CGI.

[–] [email protected] 0 points 5 months ago

I love these. Corridor Crew on YouTube dives into this stuff and has some great content.

[–] [email protected] 0 points 5 months ago

Another example - with the rest of the scene

[–] [email protected] 0 points 5 months ago (1 children)

I've known about matte paintings but I had no idea about the glass part! I just assumed it was composited together somehow. Very cool.

[–] [email protected] 0 points 5 months ago (1 children)

I'm still amazed by how accurate some of the painting is, knowing it would be projected at cinema screen size!

There was a neat trick backlighting the lightsabers frame by frame with a fluorescent tube and a scalpel. Painstaking though.

[–] [email protected] 0 points 5 months ago (1 children)

I would imagine putting it on glass also made it possible to remove the paint easier if a mistake was made, wouldn't it?

[–] [email protected] 0 points 5 months ago

Yes probably, you could scrape with a knife or spatula.