Photography
c/photography is a community centered on the practice of amateur and professional photography. You can come here to discuss the gear, the technique and the culture related to the art of photography. You can also share your work, appreciate the others' and constructively critique each others work.
Please, be sure to read the rules before posting.
THE RULES
- Be nice to each other
This Lemmy Community is open to civil, friendly discussion about our common interest, photography. Excessively rude, mean, unfriendly, or hostile conduct is not permitted.
- Keep content on topic
All discussion threads must be photography related such as latest gear or art news, gear acquisition advices, photography related questions, etc...
- No politics or religion
This Lemmy Community is about photography and discussion around photography, not religion or politics.
- No classified ads or job offers
All is in the title. This is a casual discussion community.
- No spam or self-promotion
One post, one photo in the limit of 3 pictures in a 24 hours timespan. Do not flood the community with your pictures. Be patient, select your best work, and enjoy.
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If you want contructive critiques, use [Critique Wanted] in your title.
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Flair NSFW posts (nudity, gore, ...)
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Do not share your portfolio (instagram, flickr, or else...)
The aim of this community is to invite everyone to discuss around your photography. If you drop everything with one link, this become pointless. Portfolio posts will be deleted. You can however share your portfolio link in the comment section if another member wants to see more of your work.
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Yeah, I definitely noticed the "you pick two and deal with the third" thing.
I think the trick in most cases is to
That worked pretty well for my latest tries.
When I made the barn photo, I did have that composition in mind since I played around with compositions in the past, but literally had no idea what's important for the exposure triangle. I pretty much just pressed buttons until it was bright enough and was lucky it looked good, besides the grain
It is all about trade-offs, but the tradeoffs have to be situational.
Considering only shutter speed and a "static" subject, you have to consider whether or not your subject is actually static. For example, are there flexible things present (plants, etc) and is it windy? For something like a desert landscape with zero motion your shutter speed can be as low as you want it to be (note that you might need to block some light from reaching the sensor using a ND filter). For "still" people you probably don't want to go too low because we're constantly in motion. That said, ever rule was made to be broken. Want to photo stars? Don't use a super long shutter speed - you'll get star trails. What's that, you want star trails? Bump shutter speed even more so they look intentionally vs somewhat smeared balls of light. Sports and wildlife are basically the only scenario where you need a fast shutter speed... until you want some motion blur. Granted, motion blue and sports will still probably be a fairly fast shutter speed.
Aperture follows a similar arc - do you want shallow depth of field, do you want to see more of the foreground/background, maybe you forgot your ND filter and want a slow shutter so you have to stop down, maybe it's really dark so you have to use a fast (wide aperture) lens wide open.
The only thing you universally want to take one way is ISO and that way is low. Unless you want some grain. Or you're shooting something with motion indoors and you can't compromise any more on shutter speed or depth of field. Or your lens aperture is already wide open and you still need more light.
When staring off you might want to try shutter or aperture priority, based on the situation, and let the camera handle the other two values. Heck, I still do this 95% of the time 15 years later.