WanderingPhoenix

I screwed up when I posted it, but I thought I managed to edit it out. Is it still flagged as NSFW?

Not close, I'm afraid, I found these in Spain. I am certain about the family, but I'm not sure about the species; I could look it up if you want.

Hehe, nice ;)

I know you specifically said you did not want people talking to you to make you feel better, but what kind of rotten society would we live in if everyone just turned a blind eye? isn't precisely that behaviour what drove this man to self-immolate?

I can't really be of much help to you beyond maybe chatting, and I have not been in your shoes, but if some rando on the internet can care about you, definitely someone from a closer circle will too. And maybe you don't need someone actively trying to make you feel better, but someone with whom you can be honest and sincere about how you feel. You don't have to carry that burden alone, even if it sometimes feels like its the only way.

I guess what I'm trying to say is that choices and opinions tend to change with time... if you let them, and you, as well as people around you, nudge them in the right direction.

About the self-sacrifice, I find the situation that drove him to do that utterly horrific and unacceptable, but the act itself I can not bring myself to support. Yes, it worked and it had an impact, but at what cost? was it really worth the price he paid? couldn't he have made a huge impact (even if lesser) without paying such a heavy price? We can't really tell, but the saddest part is that, now, we will never be able to.

Forming bonds with others, relying on them, supporting others and getting help is what makes us a community, and that is a core aspect of being human. Sharing our lives with others is nothing to be ashamed of, quite the contrary, it is something that defines us.

I always found Park Güell to be an outstanding proof of concept of organic architecture, specially since it was thought as a housing complex. It's true that it's quite extravagant, but the design ideas regarding space, light and ventilation behind it are very interesting to say the least.

I might arrive a bit late to the party, but I don't feel an aesthetic is necessarily tied to an ideology or a way of thinking. You can see that with solarpunk aesthetic (greenery, livability and all that sort of stuff) os used by totalitarian regimes and capitalist companies.

Although it is true some aesthetics and styles always carry the nostalgia of their previous uses, as is happening in your case, I think claiming, reclaiming or simply broadening the use of a specific style is accomplishable and not unheard of. In that spirit, I would suggest we keep using them and tweaking the topics shown to move away from a possible corporativist/capitalist reading and make the message of sostenibility more clear.

Wether this type of artistic approach shows a remotely realistic future and if this mught pose a problem, and wether companies making green efforts carries more problem than benefits, are both topics worth thinking about; I feel this play also an importan role in the way you feel towards Frutiger Aero.

For livable and more relaistic purposes, I say a joined aesthetic is almost impossible. Solarpunk has a lot of communal elements in it, so cultural differences would be a big deal, and also, as you say, enviroments can vary a lot, so even the widespread notion of greenery might not be practical in deserts or tundras.

Maybe the more general hints of solarpunk could be man grown plants and some form of green power source, even though it will vary depending on the region. As for the rest, I feel there are too many facets to cover, as you show in your postcards; abandoned cities, small mountain villages, desert plains, so many styles of farming...

As for your art, I would say it's a second stage inside of the movement. It's not the type of artwork you show people without context, I would do that with the more green utopia ones with blue sky; but when showing your postcards, I would also show their explanation, they need the context of the movement and of themselves. The first stage is for getting poeple interested with a nice view (and here common themes are more consolidated), but the second one is as personal (or communal) as any implementation of solarpunk features in real life.

(I'm not sure I made myself clear :$, just let me know if I haven't)

This is quite a hard topic. If you look for solarpunk clothing online, you'll find fashion clothing mostly in green and with leaf patterns or such, like this, but I find this to be too unrealistic, as most designer fashion, in the sense that nobody would wear that in a daily context.

But actual wearable solarpunk clothes, at least for me, would be a mix of work-focused very resistant clothing, like this work overalls or this cargo pants, with a mix of weather thoughtful pieces of clothing, like this cross pants, which are quite fresh while protecting your legs from scrapes, or, if you lean more into breaking the gender-norm, some long loose dresses are quite comfortable, specially in hot weather (and the flow is so nice!)

In my opinion, any durable and useful piece of clothing can be considered solarpunk, even more if it is field-work or nature-oriented, like mountain boots or cargo pants (also, any patched clothing does the trick, although it's best that it happens organically rather than buying it). And as a final personal note, I find colourful or patterned clothes quite nice when they're not overwhelming, so for example cross pants or a loose oversized shirt, although it is quite uncommon in male clothing (I could not find a picture of T-shirt and shirt other than with the flannel shirts or plain ones) and I'm not sure how environmentally friendly cloth dye is (but the same could be said about the clothing industry altogether). Hope this helps, even if just a bit :)