Check out the Yuba Combi or Mundo Lux. There are a few dealers on the island. They come in both electric and acoustic.
DrinkMonkey
I want the longer wheelbase of the NA variant and the bigger battery that goes with it. In fact, I’d like a bit bigger battery than what’s on offer (given the charging topping out in the 170kw range) to be able to legitimately road trip with it. 5hr drives turn into 7 with a smaller battery and lousy charging curve, and the infrastructure in my neck of the woods isn’t great for where we want to go as a family.
Interesting. I will take a look and see if that fixes it. Thanks for the tip!
The layout of Plex definitely fits my brain waaaaay better with respect to navigation. But I hardly use it because I keep running into playback stuttering which doesn’t happen on Infuse, which I point at Jellyfin in my Synology. Will give this version another try.
Why do you believe that judges (or even juries made of lay people) can make sense of the very things that you’re so confident legislators or regulators cannot?
I’m not saying regulation is perfect, and as a result, certainly there is a role for judicial review. But come on, man…lots of non sequiturs and straw dogs in your argument.
That’s more of a Shelbyville idea
Or maybe, like, regulation?
You can absolutely set up an AppleTV with no other Apple device in your possession. It is a very good player for many things but much of this is dependent on your choice of application. For compatibility and no transcoding, Infuse is the best I’ve found, provided it’s pointed at a Jellyfin instance. Not a great choice just pointed at a local or cloud SMB share (though possible) as its cache gets cleared frequently.
AFAIK, Shield Pro remains the only option that can play back Atmos from ripped media, but would be happy to be corrected on this.
I used this line when cancelling with my ISP. The chat agent didn’t get the reference but responded with an “oh my” (or equivalent, I don’t really remember the details).
…and you…and you…and you…
The value of nonlinear storytelling is not plot advancement but character development. It can help the audience understand why characters are choosing to behave they way they are.
This does not mean that the “writing is weak” as plot is only a small part of writing. Character motivations and relationships are key components which raise the stakes for the audience to actually care about the events and characters.
I’d argue in a story where the end is known (there are no surprises in Manhunt) this is even more important.