this post was submitted on 07 Sep 2024
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Ticketmaster and Live Nation have destroyed the concert experience. But it didn't use to be this way. Today, Oasis and Taylor Swift tickets might go for thousands of dollars, but back in 1955, you could see Elvis Presley in concert for less than the modern-day equivalent of $20.

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[–] [email protected] 22 points 2 months ago (4 children)

I mean I've seen more than a couple of shows at my local waterhole, and the price has been between free and $20. The $20 one was Moonhooch and absolutely worth it!

If you like listening to live music, it's there, but it's not T-Swizzle.

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[–] [email protected] 134 points 2 months ago (14 children)

I just saw an article about how ticket sales are slumping, and that people aren't willing to spend 600 per ticket anymore. The poor Ticketmaster CEO said that people just don't want to.

Yep my dude, can't be that you've changed concerts from "we should go see _______!" To "I guess it's the one time in my life I'll ever see them, I'll go one time and then never again" level of special occasion. Seriously 600 dollars per person is nearing Disney level vacation money.

So yeah, of course money isn't infinite. You hit the ceiling. Taylor and oasis may gather that much, but your other artists are going to suffer. I'll be honest I paid 600 for Taylor. It was a once in a lifetime experience. But now they want me to pay something like 400 for any random music act that comes to town. No, Ticketmaster, she was my favorite, that was a one time thing. I'm not paying 400 to see like, Weezer.

[–] [email protected] 40 points 2 months ago* (last edited 2 months ago) (3 children)

The one concert that is on my life long bucket list, for over 40 years, is to see Billy Joel live. He came to my local venue but I did not buy tickets because nose bleeds were over $400 and because I will not do business with Live Nation, period. It makes me sad but resolute.

Edit: For more context, I grew up hearing his music and I remember distinctly driving west on Java from Jakarta to the West coast in 1984 in a little piece of shit Daihatsu van my parents owned (that consistently burnt the bottoms of my feet because the exhaust was so close to the floor) and listening to Billy Joel on an eight track while bouncing and banging around on the awful roads on the way to the beach.

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[–] [email protected] 1 points 2 months ago (3 children)

I follow CHH, and some of the bigger Christian rappers and their labels run the entire tours themselves. Indie Tribe's Holy Smoke Festival, which is pretty big, sells some tickets for like ~$100. Still a lot, but considering their popularity it's not bad, and way more attainable than those Taylor Swift tickets lol

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[–] [email protected] 8 points 2 months ago (9 children)

Yeah to be fair if I were a big Taylor Swift fan and knew that she was actually going to be decent live, like could actually sing well and put on a good show, then this latest “Eras” tour does sound like a pretty good experience, since you’re getting music from her whole career which I’m assuming you wouldn’t get from her other standard gigs for like individual album releases (I guess you would to an extent but probably not to the same extent as this eras tour?)

However I actually still wouldn’t be able to go see her in that situation, cos I literally don’t have enough money for it, but I get the appeal. But it is insane that it has to cost so much for everyone.

I saw Eminem at Reading Festival a few years ago and because it was a festival, I suppose that makes up for it as I saw some other alright bands on the same day, but it was actually a shit performance from him. Well not him, but the sound was fucked up the entire time. The music was basically too loud so you could barely hear him rapping over the top. That would have been a truly shocking fucking experience if I had been paying £600 for a ticket though! I actually think you should be able to get a refund in cases like that. When there are clear technical faults going on. You hear it happen shockingly often, like you’d think they’d be able to work out how to at least get the sound sorted out for a gig!? That’s surely the equivalent of a faulty product where you would be able to take it back to shop for a full refund.

Yet I’ve never heard of anyone getting refunds for stuff like that, even when sound issues have been widely reported so were clearly a problem, not just someone’s individual opinion.

Anyway, that was a bit of a tangent but yeah…haha.

[–] [email protected] 24 points 2 months ago (3 children)

But that's basically my point, is that they changed concerts from a casual affair to a once in a lifetime experience, where we have to choose our favorites we actually want to see, and can't go see people we only casually like.

And yeah I totally get the risk aspect, because at that cost in the back of my head was "is this worth it? Was it worth the price?"

[–] [email protected] 19 points 2 months ago

I spent $10 at the door to see Deftones (mid 90s or so?), a friends band was opening for them.

I want to point out, this was after adrenaline, so they weren't an unknown here - they were headlining. Now its about $200 for the same venue (just checked).

$10 in 1995 is $20 today for inflation. That $200 ticket would be $100 in 1995. There is no way I would have paid $100 in 1995 to see my friends OK band, even opening for the Deftones.

I think you're absolutely right. I don't know that I will ever even be in a realistic position to take my daughter to go see Taylor Swift without it being a huge birthday present or something.

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[–] [email protected] 50 points 2 months ago

Say it ain't so!

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[–] [email protected] 1 points 2 months ago (4 children)

While they most certainly suck, so do most other people. As long as there will be a secondary market online someone will scalp tickets. Whether that's some random asshole or these organized assholes hardly matters in most cases.

Of course with random assholes doing the scalping there is still a chance to get a cheap one by being faster, albeit a very slim one.

[–] [email protected] 2 points 2 months ago

The experience could be somewhat tamed by a lottery process.

Accept a token deposit for a week or two, and then draw from people contending for a given seat, then give them another week to pay the balance. Any unclaimed seats are put up at will call night-of-the-show. Limit the number of deposits taken from any given card to prevent "I'll claim 30 seats and only buy 1" gaming of the lottery.

There's probably some more complexity about it (if you want N seats together), but I think that would dramatically cut back on the frustration for "the tickets were only available for 14 seconds and the server was being DDOSed by scalper bots."

Having to put down a deposit with no guarantee of a ticket also makes "buy All The Seats" scalping theoretically impossible and economically riskier. If there's 5/1 contention for a ticket, you'd have to find a way to get 3 lottery slots for a better than even chance of getting it. If the deposit was $10, you're spending $30 for the chance to buy a $50 ticket-- so if you can't resell the ticket for at least $80, you lose. Under current policies, if you can sell that $50 ticket for $51, you're ahead.

[–] [email protected] 6 points 2 months ago* (last edited 2 months ago)

They need to stop bots and stop people buying over a certain amount of tickets each (I’m sure they do already usually limit tickets per person but people are obviously getting around it somehow). Because if you were only up against other fans who had a genuine interest in actually going to the gig themselves, not selling the tickets on, then you would be up against much much less people and you would get lucky a lot more often. Right now (or at least the last time I tried to buy tickets for something a few years ago) there was just no chance and the tickets were being resold in abundance within minutes, meaning it wasn’t genuine fans getting lucky over me.

[–] [email protected] 14 points 2 months ago

The LiveNation app has tickets being resold right in it.

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[–] [email protected] 58 points 2 months ago (6 children)

I just go support smaller artists that have below $50 shows

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