Patient Gamers

It's funny you say the open world felt samey, because one of my main takeaways after playing this game was "man, CDPR really hit it out of the park with architecture and level design for Cyberpunk 2077". Hong Kong looked great and crowded- particularly at night like you said - but it didn't have nearly the same distinctly different districts with identifiable character as you'd find in Night City.

The melee combat only got somewhat interesting towards the end of the game when there were some enemies that could resist your counters, otherwise it was mostly a case of waiting for someone to flash red and pressing Y. There are some interesting ideas with the techniques you can unlock and the combos, but most of it felt like window dressing more than necessary tools. The only thing you need besides counters is the upgrade that lets you disarm enemies carrying melee weapons.

Finally, I feel like a lot of open world games at the time had a similar "formula"; they had many icon activities on the map, which were more-or-less duplicates of themselves.

This is a great example of the game design sickness Ubisoft inflicted upon the world with the success of the Assassin's Creed franchise. It's released right in the window where that was all the rage, and this is absolutely peak Ubisoft Open World^TM. But that trend held for far too long - I've leveled that criticism against even titles as recent as Ghost of Tsushima.

The music selection was good, but I kind of wish the radio selection was deeper and not as wide. I would have preferred somewhat fewer channels but with a bigger selection of songs on each. I also missed more humour and talk show style radio. The driving did feel pretty good and the races were fun, although the AI was so atrocious at driving there was hardly a challenge. But throwing the cars into corners with handbrake turns and counter steering was enjoyable and I liked how the different cars had wildly different characteristics.