Photography
c/photography is a community centered on the practice of amateur and professional photography. You can come here to discuss the gear, the technique and the culture related to the art of photography. You can also share your work, appreciate the others' and constructively critique each others work.
Please, be sure to read the rules before posting.
THE RULES
- Be nice to each other
This Lemmy Community is open to civil, friendly discussion about our common interest, photography. Excessively rude, mean, unfriendly, or hostile conduct is not permitted.
- Keep content on topic
All discussion threads must be photography related such as latest gear or art news, gear acquisition advices, photography related questions, etc...
- No politics or religion
This Lemmy Community is about photography and discussion around photography, not religion or politics.
- No classified ads or job offers
All is in the title. This is a casual discussion community.
- No spam or self-promotion
One post, one photo in the limit of 3 pictures in a 24 hours timespan. Do not flood the community with your pictures. Be patient, select your best work, and enjoy.
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If you want contructive critiques, use [Critique Wanted] in your title.
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Flair NSFW posts (nudity, gore, ...)
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Do not share your portfolio (instagram, flickr, or else...)
The aim of this community is to invite everyone to discuss around your photography. If you drop everything with one link, this become pointless. Portfolio posts will be deleted. You can however share your portfolio link in the comment section if another member wants to see more of your work.
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My best lens for capturing the sun and moon is a Canon EF 70-300mm f/4.5-5.6, which sounds like pretty much the same lens you have with a different mount? I found a Kenco doubler that doesn't seem to produce any artifacts (this one goes on the back side of the lens) which has worked really well for grabbing sunspots. Wish I'd had more ambition to get out this Summer, there's been a LOT of sunspot activity that I've missed.
On the other end I have a Sigma DC 17-70mm f2.8-4 which I've been using for model trains. I paid $233 for that one so it's my most expensive, but getting a faster lens really helped with those low-light shots. Sometimes you find great deals, sometimes you find Chinese garbage. Luckily I never paid much for garbage.
It sounds like the design goals Nikon and Canon were using were similar, yes. On a crop body, it's great for capturing things far away. I used it for motorsports. It was also a good people lens, but at 110mm FF equivalent you had to have some space to use it.
I can relate to this. Especially when it comes to reach and close focus, your gear can get in the way of the shot. I feel like a lot of this hobby is clearly identifying your use case (reach, close focus, speed, etc) and then weighing the lenses that satisfy that use case against their tradeoffs (size, weight, image quality).
Over in e-mount land, I have Sigma's 35mm f/1.4 (the old HSM version) and Sigma's newer 35mm f/2.0. The extra stop is nice, but I rarely need it and f/2.0 is half the length and weight. Guess which lens gets used more often.
The nice thing about buying used is you can usually sell it without much of a loss. I've been treating this as "longer term renting" gear to help me find what I want.