this post was submitted on 06 Sep 2024
494 points (87.1% liked)

Comics

5916 readers
70 users here now

This is a community for everything comics related! A place for all comics fans.

Rules:

1- Do not violate lemmy.ml site-wide rules

2- Be civil.

3- If you are going to post NSFW content that doesn't violate the lemmy.ml site-wide rules, please mark it as NSFW and add a content warning (CW). This includes content that shows the killing of people and or animals, gore, content that talks about suicide or shows suicide, content that talks about sexual assault, etc. Please use your best judgement. We want to keep this space safe for all our comic lovers.

4- No Zionism or Hasbara apologia of any kind. We stand with Palestine 🇵🇸 . Zionists will be banned on sight.

5- The moderation team reserves the right to remove any post or comments that it deems a necessary for the well-being and safety of the members of this community, and same goes with temporarily or permanently banning any user.

Guidelines:

founded 4 years ago
MODERATORS
 
you are viewing a single comment's thread
view the rest of the comments
[–] [email protected] 17 points 2 months ago* (last edited 2 months ago)

I think that precisely what makes TAS good - and the good Batman stories in general - is how, at least in characters' first appearances, it seems that the idea is to show how social problems have driven these "villains" crazy, and the objective is always, with some exceptions (i.e. Red Claw), to make the audience sympathize with them, producing social awareness of this problems in the audience. Unfortunately, as the characters are reused, they are reduced to caricatured villains and the incentive to sympathize with them fades. For example, Two-Face appears as an antagonist in 6 episodes and only in the stories Two-Face and Second Chance is he depicted as a human being. And this only gets worse in the sequel: The New Batman Adventures.

I actually think it's a good thing that, despite generally showing some sympathy, Batman always opposes his antagonists when they reach a point of social rupture: Batman is not a revolutionary, because Bruce Wayne could never be a revolutionary. Batman not being exactly on the side I would be on is not a problem: it gives the cartoon a verisimilitude.

Now, regarding "the hero we need" and other ideas of the sort, present in Nolan's films and Miller's comics, they are radically fascist, there's nothing to discuss.